Sweet Salvation

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Tears she’d held back fell freely as she dropped to her knees in the surf, scooping sand and saltwater to scrub the blood from her hands.

“SWEET SALVATION is a fabulous Georgian historical romance that will leave readers begging for more!” ~ Virginia Henley, New York Times Bestselling Author

LADY DESIREE FRAZIER finds herself the object of a scandalous auction.  Belittled for her stuttering speech, no man wants her to wife. Anger and disgust stiffen Desiree’s resolve to gain control of her life.
LORD ALEXANDER EVERDON, is in London to rescue his wayward brother. What he doesn’t expect to stumble upon is the noble Lady Desiree surrounded by lascivious lechers.
BOUND TOGETHER in a wild bid to free Alex’s brother from a date with the gallows.  Desiree must save Alex’s life and expose a murder plot before she can revel in his Sweet Salvation.
Reader praise for Sweet Salvation:
“This romance swept me off my feet. Great hero and heroine and charming supporting characters. I loved watching this heroine find her strength.” ~ Smart Girl’s SciFi
“I loved this book, it is a must read. The characters are charming, riveting, full of desire to know more about them. I just couldn’t put the book down. The authors ability to take you back in time is incredible.” ~ San
Sweet Salvation

Hurry! There’s Still Time to Enter the Beacon Unpublished Contest!

Unpublished Beacon Contest

 
First Coast Romance Writers

THE BEACON – 2011 Unpublished Division

An Award for Excellence in Romance 

The Unpublished Beacon for 2011 opens for submissions August 1 and closes August 31.

Finalists will be notified October 22

Feedback will be sent to all entrants by October 31st, in time to prep for the Golden Heart®!

Winners will be announced December 15

Final round judges are listed below:

Historical/Regency
Agent:   Kevan Lyon of the Marsal Lyon Literary Agency
Editor:  Holly Blanck of St. Martin’s Press

Single Title Contemporary
Agent:  Michelle Grajkowski, 3 Seas Literary Agency
Editor:  Leah Hultenschmidt, Senior Editor, Sourcebooks

Contemporary Series
Agent: Weronika Janczuk, Lynn C. Franklin Associates
Editor: Laura Barth, Assistant Editor, Harlequin

Fantasy, Futuristic, or Paranormal
Agent: Courtney Miller-Callihan, Sanford J. Greenburger Associates
Editor: Lauren Plude, Editorial Assistant, Grand Central

Romantic Suspense
Agent: Nalini Akolekar of Spencerhill Associates, Ltd.
Editor: Leis Pederson, Associate Editor, Berkley

Young Adult
Agent: Beth Miller, Writers House, LLC
Editor: Susan Litman, Editor, Harlequin

Erotic
Agent:  Laura Bradford of the Bradford Literary Agency
Editor: Ralene Gorlinsky, Publisher, Ellora’s Cave

Inspirational
Agent: Mary Sue Seymour, The Seymour Agency
Editor: Rachel Burkot, Harlequin Love Inspired, Editorial Assist

Chick Lit, Women’s Fiction, or Mainstream
Agent: Lauren Ruth of Bookends, LLC
Editor: Tessa Woodward, Associate Editor, Avon/Avon Impulse

Questions? Contact our contest chair at beaconunpub@firstcoastromancewriters.com.

 First Coast Romance Writers 2011 Unpublished Beacon contest:  

  • All entries will be judged by two trained judges. At least one of them will be a published author./li>
  • Each finalist will be judged by an editor and an agent
  • Finalists will have an opportunity to revise based on judges comments before the final round
  • Each entrant will receive their overall ranking compared to other entrants
  • Our Beacon_Scoresheet_Sample is designed to provide detailed critique and feedback

Judges: First round will be judged by at least one published author and one trained judge. Final round will be judged by an editor and an agent in each category. 
Final round judges are subject to change when unavoidable.

Eligibility: Open to all authors of romantic fiction, not contracted/published in book length fiction (40,000 words and over) in the last 3 years. RWA membership is not required for entry. Contest is limited to the first 125 entries.

Fee: $25 FCRW members, $30 RWA member (not FCRW), $35 non-RWA member 

Light Up Your Career at the Southern Lights Writers’ Conference

It’s not too late!  Register today to attend!  Spur of the moment decisions are often the BEST!

Saturday, March 12, 2011

*A full day of craft and career workshops

*Keynote luncheon with CL Wilson, New York Times and USA Today best-selling
author

*Q&A with Industry Professionals editor Tessa Woodward from Avon Publishing & agent Emmanuelle Morgen of Judith Ehrlich Literary Management

*Editor and Agent Appointments

*Critique Raffles with incredible prizes from:

Agents: 

Anita Mumm (Assistant to Kristen Nelson and Sara Megibow) Nelson Literary Agency, LLC

Andrea Somberg Harvey Klinger, Inc. 

Stephany Evans, President FinePrint Literary Management

Adrienne Rosado PMA Literary & Film Management

Lois Winston Ashley Grayson Literary Agency

Pattie Steele-Perkins Steele-Perkins Literary Agency 

Michelle Grajkowski 3 Seas Literary Agency

Scott Eagan Greyhaus Literary Agency

Kevan Lyon, Marsal-Lyon Literary Agency

Editors: 

Jhanteigh Kuppihea, Editor, New American Library (NAL) (Need details from Margie)

Raelene Gorlinksky, Publisher, Ellora’s Cave – erotic romances; Cerridwen Press – mainstream genre fiction: romance, mystery/suspense, futuristic/sci-fi, paranormal, women’s fiction, historical fiction; The Lotus Circle – metaphysical/psychic fiction and non-fiction

Rhonda Stapleton, Editor, Carina Press (E-publishing imprint of Harlequin)

Alissa Davis, Freelance Editor

Emily W. Carmain, Noteworthy Editing Services

Sherry’s Sage Suggestions, Editing Service

Authors: 

Margie Lawson, the amazing author of Empowering Characters’ Emotions, Defeat Self-Defeating Behaviors,  Deep Editing: The EDITS System, Rhetorical Devices, and More, Digging Deep into the EDITS System, Writing Body Language and Dialogue Cues Like a Psychologist, Powering Up Body Language in Real Life  

Vanessa Kelly, Regency Romance, Zebra

Sharon Page, USA Today Bestselling Author, Sensual & Erotic Romance, Aphrodisia

Karen Hawkins, USA Today Bestselling Author, Historical Romance, Pocket

Joanne Rock, 3-Time Rita Nominee, Historical Romance, Harlequin

Elizabeth Sinclair, The Dreaded Synopsis, Multi-published Romantic Suspense, Harlequin

Kasey Michaels, New York Times Bestselling Author, Historical Romance/Romantic Suspense, Harlequin/Warner/Kensington/Zebra, et.al. 

*Too many raffle baskets filled to the brim with awesome books and fun stuff to list!

Registration- $110

Marriott-Jacksonville
4670 Salisbury Rd. – Jacksonville, FL

For more information:  http://www.firstcoastromancewriters.com

Hot Read Alert!

What Happens in London, by Julia Quinn is excellent!  I’m half-way through and find it extremely difficult to put down.  If you don’t have a copy, run–don’t walk–to your nearest bookstore and buy it.  It’s well-worth whatever it costs!  If you happen to know me, I’ll lend you my copy. :-) 

(And if you don’t agree that it’s an awesome story, I’m sticking my fingers in my ears so I can’t hear you (or covering my eyes so I can’t read your bad review)!)  :-P

Write What You Know

I love writing historical romance; it’s what I know!  I love researching almost as much as writing.  My problem is knowing when to stop researching and get busy putting word to page.  Everything of a historical nature is so fascinating to me it’s hard to cut myself off. :-)   When I’m reading someone else’s work and they use a word or object that isn’t true to the time, it pulls me out of the story quicker than someone yelling “free chocolate!”

Head Hopping

Otherwise known as an over-abundance of POV (point of view) changes.

I’m in the midst of reading a Regency (not Regency-set); however, had I known it was a straight-up Regency I wouldn’t have bought it.  That’s what I get for not paying attention to the spine of the book.  Now, just because it’s an old-school Regency doesn’t automatically mean the writing is horrid or the story isn’t compelling , but for me they’re far too sedate.

The thing I find most puzzling about my behavior concerning this book is that I’m still reading it.  Normally, it would already be in the trashcan.  I’m not one of those people who hangs on to a book forever simply because it’s a book.  Oh, please.  I don’t pass on novels to unwitting family, friends, or strangers when I think the story is trashcan-worthy.

I’ll not mention the name of this book, its author, or publisher.  You know I don’t publically rant on another’s work, and I don’t intend to here, but this is a perfect case for what not to do, i.e. HEAD HOP, in a story.

It’s best to let the readers know in that very first setence in whose POV we are.  If it’s absolutely necessary to have another character’s POV–if it’s vitally important for the sake of the GMC (goal, motivation, confict)– please wait until a scene break or only switch ONE time.  Don’t switch then go back to the first POV then back to the secondary character, etc.–especially head hopping from one paragraph to the next.  I’m serious.  Every single character within a scene in this book gets his/her own POV.  I’m not kidding.  The reader even gets an omnicient view from time to time.  I’m waiting to hear what the horse thinks.

I must tell you what I find most maddening: 

On second thought, I think you already know.  Unfortunately for me the plot is excellent, so I’m stuck in a story that’s driving me batty.

I appreciate well-executed and timely POV switches in romance novels.  In fact, unless the story is written in 1st person, it’s come to be expected.  Switching POV’s every other paragraph is sure to kill your reader’s will to live–let alone to continue reading the story.

The End.  :-)

Weekly Surf Report

Around the Writing Nets compiled by Lis’Anne Harris

Writer Unboxed blog member, Barbara Samuel, on Layering Depth of Character:

“I’ll begin with a character bio, third person, interviewing her, but not in the usual ways. Alison Hart (Jennifer Greene) once posted a trick she uses, which is to look inside the purse or glove box of a character, or both. I do both. I also like to see the inside of the car—is it messy or tidy? My car usually looks like someone is moving—books and canvas grocery bags and change scattered all over the floors. My partner has tools and running clothes of various weights and dog clutter from his side business.

“Next, with this character who is so tangled with her family, I’ll ask her to talk about her relationship with each family member. Mother, father, sisters, brother, aunts, grandmother, etc. I’ll ask for a memory of each person.

“When that is finished, I’ll write her timeline—what are the 5 most important events in her life? The five that should have been important but turned out not to be? If nothing new is revealed, I’ll ask for the next five most important moments and memories.

“Then I will ask her what her secret is —I can’t remember where Jenny Crusie picked this up, but I took it from a craft post she put somewhere: What is your secret? No, what is your real secret? And then again, No, what is your REAL secret?”

Follow the link below to see Barbara’s post in its entirety.

http://writerunboxed.com/2010/04/28/layering-in-depth-of-character/#more-3260

Nathan Bransford on:  The Series Bible is a lifesaver when your brain has reached capacity.

I was working on JACOB WONDERBAR #2 the other day and it came time to reintroduce a teacher that plays an important role in the first book. I summoned my mental image of the teacher… which was completely blank.

Nathan gives a list of necessary descriptions to include in your Series Bible.  An excellent idea for those who write sequels. 

http://blog.nathanbransford.com/2010/05/series-bible.html

Coloring outside the lines by Hope Ramsey

“How many times has someone waved some writing rule in your face and told you that if you didn’t follow it you had no chance of selling your novel?” asks Hope Ramsey, of the Ruby-Slippered Sisterhood. 

She gives her top ten list of dumb writing rules.  Rule #10 is my favorite since I break it every time.  Right on, Hope!

http://www.rubyslipperedsisterhood.com/rss/index.php/coloring-outside-the-lines/#more-3139

Emily Bryon on “What an editor wants…”

Excerpt:  If you turn in a manuscript riddled with little errors it says you don’t respect the work, the editor or yourself. (That last sentence dropped verbatim from an editor’s lips.)

http://emilybryan.blogspot.com/2010/05/what-editor-wants.html

Writer’s Digest: 8 Basic Writing Blunders

These big-picture writing errors might make you cringe with recognition. But shake it off: Bestselling novelist Jerry B. Jenkins will help you fix them.

  1. Morning-routine cliché
  2. Answering-the-phone cliché
  3. The clutter of detail
  4. Skip the recitals of ordinary life
  5. Don’t spell it out
  6. Pass on the preachiness
  7. Setting the scene
  8. Coincidences (I was guilty of this in SWEET SALVATION.  A requesting agent pointed out that I had one too many.  Lesson learned.)

For in-depth detail, click the link.

http://www.writersdigest.com/article/Beyond_Basic_Blunders/

Nabbed from Nathan…  (everyone needs a little humor :-) )

The Rejectionist

A Day in the Life: Special Rejectionist Edition

http://www.therejectionist.com/2010/05/day-in-life-special-rejectionist.html

TH. Mafi call meTahereh

Interview with the Rejectionist

http://stiryourtea.blogspot.com/2010/05/interview-with-rejectionist.html

DID YOU KNOW? Weighing yourself once a week increases your chance of weight loss by six times!   (As reported in Men’s Health)

The 50 best author vs. author put-downs of all time.

 

31. Jane Austen, according to Mark Twain (1898)

I haven’t any right to criticize books, and I don’t do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can’t conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read ‘Pride and Prejudice,’ I want to dig her up and hit her over the skull with her own shin-bone.

http://www.examiner.com/x-562-Book-Examiner~y2010m4d16-The-50-best-author-vs-author-putdowns-of-all-time

Alan Rinzler with The writer’s toolkit: Eavesdropping for dialogue

Listening in on random conversations — okay, blatant eavesdropping — is a time-honored technique for writers fine-tuning their ear and seeking authentic feelings with distinctive ways of expressing them.  Norman Mailer did it…

http://www.alanrinzler.com/blog/2010/05/04/the-writers-toolkit-eavesdropping-for-dialogue/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+AlanRinzler+%28Alan+Rinzler%29 ______________________________________________________________________________

Jennifer Jackson of Donald Maass, letters from the query wars 5/7/2010

# of queries read this week: 268
# of partials/manuscripts requested: 1
genre of partials/manuscripts requested: YA

http://arcaedia.livejournal.com/226550.html

Happy surfing!

Lis’Anne

Margie’s How-to Author Series Features: The Everything Guide to Writing Romance Novels

Margie Lawson’s

How-to Author Series Features:

Christie Craig and Faye Hughes,

———–  coauthors of  ———–  

The Everything Guide to Writing Romance Novels!

—— Wednesday, April 28th!

Christie and Faye are as smart as they are funny.

Drop by my blog on Wednesday, post a question or comment,

 

and you could win:

The Everything Guide to Writing Romance Novels

–or a Lecture Packet from me

www.MargieLawson.com

 

FYI: 

I’m teaching DEEP EDITING: The EDITS System, Rhetorical Devices, and More

on-line in May.

Details are on my web site:  www.MargieLawson.com

THANK YOU!

All smiles………………Margie

Motivation

How do you get motivated? 

For me, it’s digging into research.  It’s been a long time since I wrote a pirate story and I’ve lost some of my familiarity with tallships.  Pirate Ship  I’ve recently discovered I can’t write my story and leave blanks to fill in later–there’d be way too many blanks.  I also need to find some pirate romances to read to get me in the right frame of mind.  It’s difficult to switch from a Regency to the early 18th century, too.  Clothing, figures of speech, political atmosphere, etc. bring the story to life–I need to research those things, as well.  The next scene in my wip is almost ready.  Today’s research will see me through this week’s writing.

And if I haven’t said this before–I love researching almost as much as writing.  :-)

Happy writing, y’all!

Lis’Anne

Formatting a Romance Manuscript

I wrote these instructions many moons ago for another blog.  I think it’s worthy to include here.  The contest entries I recently judged were formatted in bizarre ways making it difficult to concentrate on the story rather than the structure.

Many new authors need a little help with setting up the actual formatting of their manuscript. It really is easier than it sounds. Before putting that very first word to page, a few simple steps will ensure your manuscript need never go through the frustrating task of trying to get MS Word to stick with the changes you make to your document.

If you’ve already written a story–no matter if it’s complete or partial–you can apply all these settings by first hitting enter at the top of your manuscript until you have a single blank page. On that new first page insert all your title page information.  Highlight the entirety of your writing then apply all the steps from beginning to end. If it doesn’t work perfectly, you may have to fiddle with a few of the tools. If you have any questions, please feel free to ask!

If you’re starting out fresh, begin here:

The first and most important task is to set your pages to 1″ margins all around. On the tool bar at the top of the screen click on File. Drop down to Page Set-up. If it doesn’t appear, hold your cursor over the double down arrows at the bottom until the entire File list appears. Within Page Set-up there are three tabs. On the Margins tab set Top, Left, Bottom, and Right to 1″. You are done with that tab. Move to the Layout tab. Under Headers and Footers put a check-mark in Different First Page. Click OK.

Now, move on to the Format tool. Drop down to Paragraph. In the middle of this window you will see Line Spacing. Use the drop-down arrow and select EXACTLY. In the At box select 25 pt. Click OK.

Click on Format again and select Font. There are many options that are acceptable, but Times New Roman set to 12 pt. is the easiest on the eye, looks very professional, and is widely accepted. Click OK.

Select Tools and drop down to AutoCorrect Options. On the Auto Format As You Type tab, make sure every item is Unchecked. Click OK. You do not want to replace “Straight Quotes” with “Smart Quotes,” or use any other smart features. Many agents, editors, and contests want your manuscript emailed as an attachment in the .RTF format. When you save your .doc manuscript to this file type the “Smart Features” become odd characters. Turning this function off also makes the copy editor’s job of converting your manuscript to the house standard formatting much easier. He/she will thank you. This also applies to using Italics for words requiring emphasis. Instead, Underline these words.

Setting up your title page is easy once you have your left vertical ruler turned on. To do this select View, then select Ruler. In the upper left hand corner type your name. Tab over to almost the right hand side and type TWC: Leave the total word count blank until you’ve finished your manuscript and then insert the number. Press Enter, then finish under your name with your address, phone number, and email address. Press Enter again until you are half-way down the page then Center your title. Your By Line is centered directly below the title. If you are using an alias, use that here. Now, because the title page is single spaced, you will need to grab and highlight with your left mouse button your entire title page. Go back up to Format, Paragraph, Line Spacing and select Single. Click OK. You may need to ensure your title is still at approximately 4.5 on the left rule.

Now, to keep the title page separate from the rest of your manuscript, place your cursor just below your By Line signature then select Insert from the tool bar, then click Break. Select Section Break, Next Page. Click OK. At the end of each chapter, do the same thing to keep your formatting intact, but instead of Section Break, choose Page Types, Page Break. Now, you can always edit each chapter as you see fit, but it will always remain an individual chapter without getting screwed up. That’s done and out of your way. Remember Each Chapter is to begin 1/3 of the way down each page. This puts it at approximately 3 on the vertical ruler. To format your Header, select View, then Headers and Footers. You have no footer so ignore it. A small bar will pop up with several tool icons. On the one that is Same As Previous, DE-SELECT it. In the header section of your document, type the title of your story then / last name only. Your alias last name will go here. It should look like this: Title/Doe  Tab over to the right hand side. On the Header tool bar that’s still open select Format Page Number. Another small window will pop up. On this, select Page Numbering, Start At, scroll to 1. Next, on the Header tool bar, click the Page Number icon. It should auto insert 1 and you’re all set.

There are other options that are acceptable to various publishing houses, but this is the simplest set-up that works very well across the board. Take each step slowly from the beginning and in no time it will become an easy habit that saves you a mountain of time trying to fix all future manuscripts.

Happy writing!

Lis’Anne